4.76:42The Ferryman's Hour
Every morning before light he poles the same flooded forest, and every morning there is one more tree.
A widowed lighthouse keeper keeps receiving supply crates from a ship that sank forty years ago.
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The most confident use of stillness we have seen on Latent all year.Editors’ note
Shot entirely as a series of static wides, The Salt Season was an experiment in restraint: no camera moves, no score until the final minute, and a single voice performance carrying the whole runtime.
Every exterior was generated at 2.39:1 and regraded in Resolve to a bleach-bypass look. The crates are the only element composited by hand.
The hardest part was continuity of the coat. Nine renders, one coat.
4.76:42Every morning before light he poles the same flooded forest, and every morning there is one more tree.
4.59:08A falconer trains a bird that keeps returning with objects from a war that has not started.
4.11:36Vertical, single-take, one passenger, one impossible route.
4.08:14A man maps the one day of the week he cannot remember living.
5 notes
Third watch. The framing in the second act is still doing something I cannot explain.
Not sure the ending earns itself, but the first four minutes are exceptional.
Original score, yes. Written to a rough cut and then the cut moved to fit it.
The sound design is doing half the work here and I mean that as the highest compliment.
Original score, yes. Written to a rough cut and then the cut moved to fit it.