4.11:36Night Bus to Anywhere
Vertical, single-take, one passenger, one impossible route.
A music video where the band is made of interference.
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Cut to the track first, generated to the cut second. Every hit lands on a frame.
4 notes
How did you keep the wardrobe consistent across that many shots? Genuinely asking.
The sound design is doing half the work here and I mean that as the highest compliment.
Original score, yes. Written to a rough cut and then the cut moved to fit it.
Third watch. The framing in the second act is still doing something I cannot explain.